Vortexian History

The world is changing at a rapid pace, and so is the history of this world. We need a new history for the realities of the twenty-first century that meets a number of seemingly contradictory requirements. It should be rooted in specific places but aware of global contexts; it needs to acknowledge the constraints that come with a multitude of entanglements while leaving agency for human and non-human actors; it should recognize economic, social, political, cultural, technological and environmental issues without a predefined hierarchy; and it should avoid the allure of teleological narratives without denying that we are on a downward slope. Can we find narratives that take all this into account? Yes, we can.
Vortexian history offers a new way to recount the history of environmental challenges in the age of global modernity. It starts with specific events, artifacts, places, and the like and explores the gradual accumulation of all sorts of things that frame our approach to environmental issues: laws and technologies, seminal books and scientific innovations, cultural tropes, and expert systems. Most of all, it presents this history in a way that allows readers to experience the dynamism of the modern world: we are truly at sea in our engagement with environmental challenges. More precisely, we are adrift in a giant, planetary-sized vortex that has defied all attempts at comprehensive control. And if you find that metaphor too watery, please note that I am not the first historian who thought in the language of hydrology. One of the inspirations for “The Vortex” came from Fernand Braudel’s reflections on the tides of history.
The MaMoGH project draws on the defining features of vortexian history: entangled multidimensional narratives, a combination of on-the-ground case studies with big-picture observations, a quest to move Eurocentric narratives into perspective, respect for the sheer material heft of material flows, an interest in the similarities in environmental challenges around the world that provides a backbone for world history jaunts, and an ambition to write histories that double as prehistories of the mess that we are in. Just like “The Vortex”, the MaMoGH project explores how we are at the same time more knowledgeable than ever about environmental issues and more constrained in our range of options. But unlike “The Vortex”, the MaMoGH project is about building something – a world food system that feeds eight billion humans. If we conceive of global modernity as a giant vortex, how did something as complex as the modern food system get built in roaring waters?
You can download a digital copy of “The Vortex” here. And perhaps, at some unspecified point in the future, you can download a new, vortexian world history of food production on this page.